Projection, Motion Graphics, and Interactive Systems design. 2017.

This brand new show follows Morro and Jasp (Toronto’s beloved Clown sisters — you can find more about them here: www.morroandjasp.com) on a search for meaning as they interpret a series of strange mechanical happenings as mystical signs.

The concept for the show was to use theatrical spectacle, and namely, interactive projections — to create the divine force/ technical mishap that inspires the clowns. Isadora was cast in the role of a strange new technologically-inspired deity.

This was my first time working with the Canadian comedy/ clown duo Heather Marie Annis and Amy Lee (aka Morro and Jasp). While their performances are scripted, a significant portion of their stage work is extemporaneous and partially improvised based on audience participation. This was the first time their work included both additional performers, as well as projection/ digital technology. As a projection designer, I have seldom had tighter or more collaborative working relationship with my design colleagues (I was privileged to work with very talented and Dora award-winning set, lighting, and sound designers) as well as the amazing director and cast.

Live Drawing

A major idea that was hit on early in the process was that the Morro and Jasp would improvisationally develop “commandments” with the audience, which they would write on a “tablet” — these would then be projected to surround the space.

The performers needed to be able to use a wireless touchscreen device from the stage, to create original drawings. Canned assets could only be used as a “backup” since the audience would actively participate in generating the material. We were able to hardwire a network of wireless access points around the stage to create a strong wireless signal. It took some troubleshooting, but I expect to continue to work with wireless smartphone input into Isadora again. Smartphones are part of our everyday lives, and using them as an interactive prop is the perfect bridge between interactivity and embodiment. I would love to further examine how to support actors using smartphones from the stage.

Credits

Directed and Dramaturged by Byron Laviolette
Created and Performed by Heather Marie Annis & Amy Lee
Featuring Sefton Jackson, Elliott Loran & Anand Rajaram

Set and Costume Design by Robin Fisher
Lighting Design by David DeGrow
Projection Design by Montgomery Martin
Sound Design by Lyon Smith

Movement Coaching by Mary Ellen MacLean
Clown Coaching by John Turner

Technical Direction by Bryan Eaton
Stage Management by Sarah Miller
Apprentice Stage Management by Seren Lannon

Producer – Brian Goldenberg
Associate Producer – Alan Kliffer
Producing Guru – Derrick Chua

Artistic Producer – Katherine Rawlinson